Tags Matching: x-factor

A Walt for Every Budget

We’ve done Simonson posts before here on Comic Noize, but really we could never do enough. The dude is a icon. So here’s a few auctions for you to peruse. Some original art, some production art and some mass-market stuff. Even if you don’t like Simonson (what? You crazy?) check the price on the commission. Who says we’re in a down economy?

Production art. I pump this stuff as much as possible. It’s just NEAT, bro.


A print from 84. Superman seems like kinda a dick in this one.

A 26 year old commission. Though the asking price is outside of what I’d pay for a car, nevermind an illustration, it is cool as hell.

A really cool poster that you’re going to have to try hard to convince your non-comic-reading domestic partner to hang in the living room. Good luck.

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Get Me Orange Juice, I’m High on X-Factor

Well, I’m hooked. The current Peter David X-Factor run I finally started shows much promise and I’m excited to pick up the other trades. I have a lot to catch up on. To celebrate my new love, I’m posting auctions that include the creative team of the first trade. Peter David and Ryan Sook in particular.

Will this ever be “worth” anything because it was signed by Peter David? No. Deal in reality. But if you’re going to own the issue (and you should) you may as well own one signed by David for only a dollar more.

Because I’m not a huge DC man or Mignola reader, I wasn’t intimately familiar with Ryan Sook prior to checking his X-Factor work. But I soon realized that I’ve passed by his material dozens of times. His range of work is so broad and multifaceted there is almost no disliking him as a artist. Here he is doing his best Mignola.

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Lest We Forget

Yesterday Marvel announced their upcoming event Fear Itself to much (any?) fanfare. Details are hazy at this time as are general ideas and even the vaguest conception of it aside from “it will involve Marvel characters, likely facing a struggle of some kind, with conflicts of some sort sprinkled throughout.” But we can all be certain it will be super important to our understanding of the Marvel comics universe and our own.

While we’re on the events train, let’s look back at my favorite* Marvel event: Atlantis Attacks!

Don’t remember AA? Shame on you. Get caught up with the following auctions.

The books themselves. Don’t look like a fool when someone references these truly unforgettable books. You know, maybe they’d talk about that epic fight in… er… or the real human drama that took place in… hm … or the really significant impact of the events detailed in… nope. No one will reference these. Buy them because it’s a slice of comics history.

The very important promo poster that invites you to “take the plunge” and buy all the books. Crucial. Great design work.

And what would any irrelevant crossover be without an even less necessary What If? book to hypothesize on slight variations on the original outcome we can’t even remember?

*After The Infinity Gauntlet, Inferno, probably even the Mutant Massacre… I don’t know, maybe Secret Wars 2 even. Actually Atlantis Attacks really sucked.

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Recovering from NYCC

Had a great time. It was more manageable than San Diego, but still feels like you’re at an “event.” I’ll be posting all week about it, but let me start with a plea for more Walt Simonson.

I couldn’t afford the very nice shirt (read: tasteful comic art shirt, the white whale) with his art on it, but will now be hunting for those on Ebay. In the meantime, this AWESOME poster will have to tide me over. Or tide you over, if you outbid me. Try your luck.

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Strong Guy

Maybe some of Peter David’s finest writing is the segment where Guido, bodyguard to Lila Cheney, joins X-Factor and has to pick a code name. Strong Guy is his choice, and the irreverence and annoyance with which the other characters react is perfect. Havok has never seemed so surly, and Mr. David did it perfectly.

So for the Strong Guy diehards out there, this one’s for you. Joe Madureira original art – nothing special here, but like I said, if you are just looking for a manageably priced piece of a loved character, this would do very nicely.

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Top 100 Summer Comics #17

For reasons now lost to memory, for the past four days I’ve had a wikipedia tab opened on my safari browser to the entry on Shinobi Shaw. I don’t know why. Throw me a Delorean and I’ll go back and ask Tuesday Bob, for now, I’m not questioning it. Just embracing.

#17 – X-Factor 67

Whilce Portacio kills in this issue. My copy of this was traced about a thousand times – and afterwards I was still not much of a better artist. However what sells this story on top of that are 1) Inhumans 2) Apocalypse before he became ’90s played out 3) Portacio’s Iceman was the best 4) Shinobi Shaw.

I guess this is father v. son week in the summer hundred, because I can’t think of a better “Hey dad!” moment then Shinobi Shaw buying out his father’s company, ruining his financial profile, implying that his colleague (a fat fat gross dude by the name of Harry Leland) was his actual father… and then using his mutant ability to give him a heartattack.

Talk about angst.

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Top 100 Summer Comics #48

My love for the x-men was really started with Inferno, which is kind of an odd event. Half true x-men event, half goblins and hellfire, for whatever reasons I really dug it.

One issue was particularly hard to track down, for whatever reasons. Maybe people just loved the image of the Goblin Queen sacrificing her son?

#48 – X-Factor 37

This was a hard chapter of the saga to find, and to be honest, I didn’t find it until the mid 90′s for some odd reason. So here I was, huge fan, just having pieced it together in my head what had happened. Worth it for the Simonson art alone.
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Top 100 Summer Comics… #70

Todd McFarlane and Rob Liefeld drew the cover.

Louis Simonson wrote the story. (way cooler in my book than the above, even though it’s a nice cover)

And oh yeah…

#70 – X-Factor 50

Cyclops blows the hand off a Celestial. NUFF SAID.

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Top 100 Summer Comics… #74

I almost came to this post with a simple focus in mind.

I was thinking of a specific issue of X-Factor where Cyclops blasts the hand of a Celestial off. Like a simple “BAM. Cyclops blows the hand off a Celestial. Nuff said” post. But nah. I had to see a gem. I had to fall into the trap of “ohhhh” and “ahhhhh” that is browsing ebay for comic books. Nostalgia is a trap – enjoy it (AND THIS BLOG) but don’t get sucked in.

#74 – X-Factor 39

First off – the art on the issue is perfect. Kind of like a rushed Walt Simonson, but nonetheless Walt Simonson. I don’t know why, but it seems as though it matches the energy and frenetic pacing of the content. This is the conclusion of the Inferno crossover, which for some god forsaken reason is my favorite Marvel crossover of all-time. A strange conclusion to a crossover that hit most of the Marvel titles and turned NYC into a Hellish landscape with diabolical mailboxes and grinning buildings (Marc Silvestri really nailed the man-eating mailbox market) but in the end resulted in the first of what I would consider the large scale X-book crossovers…Okay, fall of the mutants counts too. But Inferno was a totally different level. I dig this book on a lot of level, and I think kind of defined this weird creepy tone that the uncanny and new mutants books carried at the time. X-Factor too, ironically, but to a lesser extent.

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Top 100 Summer Comics… #78

Question: If someone told you that Havok, Polaris, Quicksilver, Strong Guy, Multiple Man, and Wolfsbane would make up one of the coolest and most interesting x-teams of all time, would you laugh?

Probably.

But Peter David didn’t. Well, he probably did. Dude’s pretty funny. But no one saw this team coming.

It was like Revenge of the Nerds, but worse. This team of X-Men couldn’t have walked on and joined the Tri-Lambs, let alone made it with the Omega Mus. These were losers.

But wow… talk about a grease fire.

#78 – X-Factor 87

Take that previous group, throw in Doc Samson for good measure (and by good measure I mean throw away puke vomit awful Hulk supporting character) and you have the best talking head comic book issue ever. I think I mean that. Joe Quesada threw down the pencils and did a good job – loved his mid 90′s style, which has since evolved quite a bit, but it did the deed here. But the strength is the writing. In 22 pages, Mr. David nailed these characters individually better than anyone before or since.

If you haven’t, you must read this issue. It might make you care about Wolfsbane. No, really.

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