Tags Matching: Iron Man

Avengers. Solo Avengers.

An interesting concept that I almost completely forgot about.

A somewhat successful team book spawning a side book that showcased team members in solo adventures without the need for miniseries after miniseries. I think almost any fan could see that and both enjoy and recoil at the possible outcome.

Solo Avengers (which morphed into Avengers Spotlight) did both please and terrorize Avengers fans, but I believe it should be noted as a success somewhere in the annals of comicdom.

While it’s undeniable that it gave Hawkeye the lion’s share of attention, it also gave other Avengers some time to shine. Without a doubt I think some of Hawkeye’s best stories happened here, so any Clint Barton fans should seek these out. I guarantee you can find them in ample supply for decent prices, depending on your desired grade.

Strangely, my favorite of the Solo Avengers stories doesn’t feature Hawkeye. Rather, it’s a tale of The Vault starring Iron Man – a story with little fanfare these days but I think was one of the absolute best of the era. A small scale riot at The Vault (aka the Marvel supervillain prison of the 80′s, an idea now being re-used with The Raft) and obviously, Iron Man comes to save the day. Well put together and a great use of some of my favorite D-List villains. Strangely, this is kind of a continuation storyline from a breakout of the Vault which reeks of parallels to the recent debut issue of New Avengers #1. If Bendis did pull from this lost story it only makes me more of a fan.

And with all of the good sometimes comes the ugly. A good story gone bad, if you will. Hawkeye gets shot…

and then dons some fugly costume that even the Paladin laughed at. Okay, he didn’t, but only because he knew the pain.

Hang in there, Clint! This won’t last for more than 3 months!

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Setting the bar: Avengers cover art

For a long time, Marvel was dominated by their merry mutants. Before that however, the Avengers were the major force. And now, they’ve regained their throne.

But as good as the series is now, without hindsight it will be impossible to really judge how great their reign has been. Looking back at the Avengers run of the early and mid 1970′s shows that they had their highs and lows, but all in all, set a new tone for art, creativity, and fast paced action. As a nod to that, I picked a handful of covers from the series between issue #50 and #100 to see just how great, ridiculous, terrible and downright perfect comic covers can be. Enjoy.

Avengers #93

aka… Thor smash Fantastic Four. Cap approve.

Avengers #71

aka… this “A” stands for wackass shield!

Avengers #57

Classic.

Avengers #78

“Okay hear me out. His name is Man-Ape and he’s totally NOT offensive.”

Avengers #98

Whoever loses ends up with War-Hawk’s facial hair styling. Fight hard, brave soldiers.

Avengers #89

Classic x2.

Avengers #63

Underrated cover. Why isn’t this on a t-shirt yet?

Avengers #80

aka… Thor stupid.

Avengers #77

There are definitely far too few comics discussing super-heroes hired for manual labor these days.

Avengers #83

Classic x3. Fitting that Mr.BeathisWife is the main dude being womp’d on here.

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Marvel Third Eye Posters

In the early 70′s, Marvel was hot.

Not hot like today, with all of the movies, the disney merger, and a pretty great decade of comics just past, Marvel is riding high. But in 1971 – Marvel had shown some stick for their series, their characters, and their brave new world that was really just under 10 years old.

So, while the iron was hot, why not hit the public with some killer blacklight posters! I say that jokingly, but these posters produced by a somewhat seminal company, The Third Eye Inc., who produced not just these but other black light posters of the time. I think they are pretty cool, but here’s two of my favorites. Some of these, in good condition, can sell for a pretty penny.

Pretty iconic, and honestly, much better than any of the movie related posters out there. No diss, but c’mon. They just can’t pull this image off for the masses.

Perfection. Simply stated “Dr. Strange meets Eternity.” Wow. If this were in better shape, I guarantee it would be a lot higher starting bid…

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Iron Man 2: The Comic Noize Review.

Friday night. 10pm. Usually the absolute worst time to try to go a movie at New Roc City, because it’s guaranteed to be packed. And the more packed it is, the more people willing to talk through a movie will be there. And people LOVE to talk through the movies at the New Roc. I haven’t been to a movie there since 2008 that I haven’t ended up grinding my teeth through because some jerk won’t shut up. That’s the New York movie going experience for you I guess.

But I’m pleased to say that as of this past Friday’s 10pm showing of Iron Man 2, my streak has been broken.

Sadly, we weren’t able to get IMAX tickets as planned (maybe all the talkers were in there), but that was ok. I pretty much only like to see movies in IMAX that actively stimulate the visual palette. IM2 isn’t that kind of movie. What it IS a fun summertime superhero action movie, just like the first. Just slightly more convoluted. A lot of reviews are blaming that on the standard sequel trope of there being two villains (in IM2 it’s Sam Rockwell as arms dealer Justin Hammer and Mickey Rourke as Ivan Vanko, a combination of Iron Man bad guys Whiplash and the Crimson Dynamo). To this I say nay.

Go back to the first movie. How many bad guys were there? I’ll tell you how many. Two. You had the head of the Ten Rings, and you had Jeff Bridges’ Obadiah Stane. In fact, in many respects, both movies followed the same formula of lesser bad guy meets bigger bad guy. The difference in IM2 is that both it’s villains possess equal presence (as in command of the screen, not time on). Rockwell plays Hammer as a Bizarro Tony Stark, oozing desperation instead of charm and trying too hard at, well… everything (the self tanner covered palms… great touch). Rourke’s Vanko is far less extroverted; he’s a menacing, tattooed grunter with a thing for cockatoos, yet even with his lines being almost unintelligible, he commands the screen. No, it’s not the villains that clutter up the movie, it’s the plot.

Iron Man 2 just has a hair too much going on, plain and simple. You have Vanko trying to get revenge on Tony Stark because he feels Tony’s father stole his father’s work and ruined him, while Hammer just plain wants to replace Stark as the number one weapons guy for the Armed Forces. You have Tony dealing with his own daddy issues, as well as the fact that his suit is killing him via palladium poisoning. You have Garry Shandling as a pompous senator trying to get the Iron Man armor turned over to the government, and best friend Rhodey (Don Cheadle, a vast improvement over Terrance Howard) juggling his loyalties as a result. You have Tony and newly appointed CEO of Stark Industries Pepper’s relationship being put on the rocks because Tony doesn’t want to tell her that he’s going to die, plus his sultry new assistant isn’t all that she seems. You have Samuel L. Jackson’s Nick Fury coming around to set up beats for the upcoming Avengers movie (and if you look closely towards the end, you’ll catch some images on a SHIELD tv monitor that show exactly when this sequel takes place in the growing Marvel movie-verse). All that plus several subdued cues from the classic “Demon In A Bottle” storyline… it all just adds up to a hair too much, and at times it drags the pacing down. That doesn’t mean it ever gets boring though.

Though they may feel few and far between, there are actually several great action sequences, including an awesome first go round for Iron Man (in a suit that pays homage to both the suitcase used to carry the armor in the comics and the Scarlet Centurion armor of the 80s) and a electrified whip wielding Vanko taking place smack in the middle of the Grand Prix, a mansion trashing brawl between a drunken Tony and a suit borrowing Rhodey, and a gymnastic smackdown of Hammer’s security guards from Scarlett Johansson’s Black Widow (and if anyone suffers from the clutter of the plot, it’s Johansson, who gets so little to do that she’s basically window dressing. Sultry, seductive window dressing.)

The final battle suffers from a little bit of generic action movie overkill, as Tony and Rhodey face down a large group of rampaging attack drones and a suited up Vanko, but it’s paced properly and shot so that you can tell what’s going on, and in this day and age that counts for a lot. And there are some touches of humor in there as well. In fact, in general it’s a pretty funny movie. As before, Robert Downey Jr’s performance keeps the tone light without ever sacrificing the stakes set up by the myriad of plots.

Was this as good a movie as the first? No. The first Iron Man was more stream lined in plot, and Downey’s performance added a freshness to it that the sequel lacks; this time we’re expecting it, and while we get it, it is clearly a continuation. Still, Iron Man 2 is exactly what the first one was: a fun, summer time superhero action movie, full of quips and explosions. And yes, there is an after credits Easter egg that made the audience break out in applause.

B+

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Tonight…

10pm.

Me, my local Imax, and Iron Man 2.

The official Comic Noize review will be up Monday.

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The Man With The Getaway Face.

It just so happens that right now, I am a third of the way through one of Richard Stark’s (aka the late great Donald E Westlake) Parker novels.

That novel is The Man With The Getaway Face.

Now, I love me some Donald E Westlake, be it the grim and violent Parker novels (written under the Stark alias) or his the comedy crime capers of John Archibald Dortmunder, or any of his numerous other crime novels, comedic and otherwise.

So, between searches for more noize fodder, I started randomly skimming for old copies of Westlake/Stark novels (because let’s face it, the old 50s and 60s paperback designs are way cooler than any of the reprint designs they get assigned as time goes on). Which eventually led me to this:

Truely, my mind was blown. A Parker comic? And not just a Parker comic but a Parker comic that is intended to be a teaser for a Parker comic to come? And one adapted and drawn by Darwyn Cooke, one of the few talents in the field who I think not only captures a silver age spirit with a modern touch in his art, but also truly gets how to properly do a comic book with film noir overtones?

Tell me more, internet.

Apparently, Cooke will be adapting not just one but FOUR classic Parker novels to comics. And according to Wikipedia, Westlake himself was so impressed with the adaption of the first book (The Hunter, which you may know better as the Lee Marvin classic Point Blank, or somewhat less better as the not very classic Mel Gibson flick Payback) that he allowed the name Parker to be used in the adaptions; something he has never let a movie do, ever (Marvin was Walker and fit the role; Gibson was Porter and didn’t).

To say I’m excited would be an understatement.

In the spirit of that excitement, and for those of you who aren’t so psyched on pulp fiction and film noir and maybe prefer your comics a little more straight forward, here are a couple Cooke originals in the superhero field that are up for grabs.

And a signed Jonah Hex for good measure.

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$20 ?!?! ACT QUICK!!!

First thing I thought when I saw this -

What? This can’t be real.

But… it looks real. It matches up. And it’s only 20 bucks?!?

What this looks like is an early sketch idea for the final cover. This being an early John Romita Jr. piece for the cover of Iron Man #124. The price couldn’t be more right, and given the IRON MAN 2 movie coming out this weekend (I’ll admit, my interest is piqued) – I can’t believe this is going for so cheap.  Here’s the final cover, so just do some quick checking (both of the image, your gut, and your wallet) before you place a bid. Ends on Thursday night…


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Iron Man 2.

As I’m sure most of you have seen by now, the newest Iron Man 2 trailer is out, and it is sweeeeeet~! And if you haven’t seen it yet, shame on you, and go watch it already.

It is in the spirit of that trailer that I present to you the following auctions. Since things first things go first, first off we have the first appearance of Iron Man himself:

That’s going to end at a nice price, oh yes. And then we have the first appearances of Whiplash and the Black Widow:

Fortunately the movie makers chose not to go with the characters original outfits. And while I think Mickey Rourke wouldn’t have had a problem looking like a cross between a rooster and a pirate, no one wants to see Scarlett Johansson dressed up like she’s going to a funeral. Sam Rockwell’s Justin Hammer, meanwhile, I don’t think has ever even made it on the cover of an issue. But that’s ok, because his first appearance had this awesomeness as it’s face:

Namor makes almost any cover from this era awesome, mainly because he’s usually destroying everything in sight.

The first Iron Man movie introduced us to James Rhodes. So did Iron Man issue 118.

It was another 50 issues or so until Rhodey put on any Iron Man armor at all, and another 100+ issues later when he finally became War Machine. Which was basically Iron Man with really big guns. Personally, I never saw the appeal. Total 90s concept, but people really like Rhodey having his own suit so it’s stuck.

And then there was the comic nerd highlight of the whole entire trailer (and again, if you haven’t seen it, go see it before this so it doesn’t spoil the mark out moment)…

The Silver Centurion inspired armor at the end. Total late 80s Iron Man fan mark out moment. Obviously they didn’t completely ape the “robot with a red and silver bucket on for a head” look of the comics version, but it’s definitely the inspiration. Not to mention the twist on the old “Iron Man suit in the suitcase” deal. So cool.

Who’s psyched? I’m psyched.


Is that a Vietnam crack, Thor?

I don’t know what they were on at the merry Marvel merchandising department in 1967, but whatever it was I bet they got it from the hippies. Which kind of makes the Thor sticker threatening “Charlie” a little weird.

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