Tags Matching: Alan Davis

Top 100 Summer Comics #13

Bad luck is for suckers, so here’s #13.

Alan Davis bangs out one of the best annuals. Maybe the coolest X-book that doesn’t really feature any true X-Men.

New Mutants? Check. Pre-Ninja Psylocke? Check. O.G. Excalibur? Check.

Doug Ramsey saving the day? DOUBLE CHECK!

Here’s the thing – I never liked Doug Ramsey. He sucked. He was the most transparent attempt at an everyman / everychild for the meek and meager to relate to. As if Cannonball wasn’t lame enough?

When he was killed (or put down like a poor old dog in my opinion) the New Mutants were able to grow. The team could face dangers and conflict with a different tone – simply put, Doug’s greatest contribution was dying. However, this is the best Doug story, and Alan Davis knocks it out of the park. I think this was the era when Arthur Adams was the king of the x-annual, and I think Alan Davis rose to the challenge. Home run issue for anyone who likes any of the following.

1. Alan Davis art (seriously, some of his best stuff)

2. New Mutants

3. Excalibur

4. Word Balloons galore aka Claremontian storytelling

5. Doug Ramsey aka Cypher aka the lamest duck.
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Required reading.

You have a little over 24 hours to outbid this guy and scoop this trade up for dirt cheap.

Written by Alan Moore. Drawn by Alan Davis. That should be a ’nuff said right there, but I’ll continue. In these pages you get:

Psylocke, when she was still plain old Betsy Braddock, British psychic agent.
Slaymaster going on a Scanners style massacre of said psychic agents.
The Captain Britain Corps. Mad Jim Jaspers.
And best of all, super hero killing machine called THE FURY~!

Classic, CLASSIC stuff.

Get it and team it up with this collection of the Davis and Delano issues that immediately followed Moore’s departure, which introduced Excalibur mainstay Meggan and set the stage for Betsy to become Psylocke, courtesy of a completely vicious Slaymaster beatdown.

Settle down in a comfy chair with a cup of tea some rainy weekend and enjoy.

Anniversary Issues – a story of diminishing returns

Anniversaries are slowly becoming less relevant in our society. 

Am I wrong? Doesn’t the sentimental significance of an “anniversary” mean less and less, as our attention span zooms in on minutes and seconds over months and years?

Maybe I’m just cold. Or too real. But regardless, that’s how I feel. And comic books are on my side. Uncanny X-Men, step up to the witness stand.

Uncanny X-Men #100. “At last”? I’m willing to bet it was an absolute shock to many that the Uncanny cast made it to 100 issues. Please note – the X-Men series was actually cancelled after issue #66, and was published as reprints from #67-93. Really. So this was a big one, and had a pretty decent premise. I remember it, but it took a refresher. rating: 7/10

Uncanny X-Men #150. Great issue. The first full blown Magneto bash that the “all new, all different” team had, and this was a doozy. Pretty much a classic at any price, but the one above is still in the bargain column. Now established as a titan, Uncanny was just churning with Chris Claremont in his glory. rating: 8.25/10

Uncanny X-Men #200. The trial of Magneto. Fenris. Magneto in some weird new purple pajamas. John Romita Jr. drops in and really pulled this one together as Professor X makes yet another prolonged absence; he doesn’t reappear until #273-#275 – more on that later. A real twist as the X-Men started to veer off the tracks as far as their team direction. For me, the team only got better from here until issue #275.For anyone who’s taken a college level history course, I always enjoyed breaking it into two periods – the RISE and the FALL. I was always on the “Fall” side, as far as interests lie. Here begins the fall, and eventual rebirth. But as a single issue, well, it’s continuity heavy. And that’s gonna knock it back. rating: 7.25/10

Uncanny X-Men #250. Full disclosure, this is a part of my favorite era of the Uncanny X-Men, roughly issues 235-260. A true golden era, Claremont demolishes the team to rubble with Silvestri, Dan Green and this guy named Jim Lee serving the art up on a golden platter. I dig this issue, but I will give some perspective to balance it out. Man, I want to give it a 9, but I won’t.No icons, no long lasting results, Havok¬†and Polaris have been retconned so many times… rating: 7.5/10

Uncanny X-Men #275. So good that it needed to be included even though I’ve been sticking to the century and half century marks. Chris Claremont’s opus essentially concludes here, with a brief encore in the eponymously titled X-Men for a brief three issues. Everything and the kitchen sink – multiple long running trademark Claremont plot threads get wrapped up, Shi’ar, Xavier, Savageland, Rogue, Gambit, Wolverine, Jubilee, dinosaurs, Magneto and some big ol’ spaceships. Absolutely classic and can be enjoyed by people who only know the X-Men from a movie or cartoon. rating: 9.5/10

Uncanny X-Men #300. A huge dropoff. I’m not going to blame the creative team – Scott Lobdell deserves a lot more credit than he receives for his X-Men contributions, and you can’t lose with John Romita Jr and Dan Green on the stick and ink. But storywise, this one’s a dud. The lamest incarnation of the Acolytes (please argue this with me, someone) with Fabian Cortez at the helm, Bishop prominently featured on the cover (a later post to detail his fail levels being dangerously high to come) and Moira MacTaggert, a leading support character who died and has seen zero interest in a resurrection. That is a testament to her lameness. Fabian Cortez, Bishop, MacTaggert… three lames and you’re out. rating: 5.5/10

Uncanny X-Men #350. The conclusion to a dangling storyline almost a decade in the wait. Probably more like five years, though for some reason this was the beginning of the end for any and all Gambit love. He never recovered his heat after this, but I will give this issue some points. Joe Mad’s only contribution on here and though I’m not his biggest fan, I do think he did a great job for the X-Franchise. The story and summation of Gambit’s past was good and I think this could be enjoyed on a single issue level. Though people maybe confused by who this “Joseph” character is… rating: 7.25/10

Uncanny X-Men #400. Alright, here come those diminishing returns. I’m not going to flack this too hard, but let’s just talk about the major characters used in this one. Archangel, Chamber, Nightcrawler, Iceman, Wolverine, and Stacy X. Stacy X. Really. So let me just stop there, and for those unfamiliar, Stacy X was introduced in this arc and was a prostitute mutant who controlled pheromones. And I’m not even a HUGE detractor of the character, just on how poorly she was fleshed out and developed. Poor form. Joe Casey had a rough time to be writer on X-Men and I don’t think it was his best work. rating: 3.5/10

Uncanny X-Men #450. Chris Claremont + Alan Davis + X-Men = … BAD?!?! NO! Say it ain’t so, Joe (Q)! This is real. Alan Davis has his normal smooth style but I would even say this was a low moment for him. Some weird facial angles can really jack up what I normally love in Davis’ art, which reflect this odd oblong structure and overly pronounced cheek and lip definition. Big story development – the introduction of X-23. Not the worst, and certainly relevant now, but… overall a very anti-climactic return to Uncanny for both Claremont and Davis. rating: 3.75/10

Uncanny X-Men #500. I wanted to love this. Not just like, but LOVE. And I didn’t. I didn’t even really like it. I tried. Believe me, Ed Brubaker and Matt Fraction are absolutely tops of the game in this era, and I have admitted to really digging on Terry Dodson’s art. But there was too many moving pieces and just a kind of poor execution here. Magneto, and Sentinels, two pencilers and two writers… it just didn’t gel. Not bad, but forgettable in that “wait, what happened in last month’s issue” kind of way. rating: 4/10

Alan Davis.

Best known for his work with Alan Moore on Captain Britain and Marvelman/Miracleman, and for his runs on Batman and the Outsiders and Excalibur, Alan Davis is one of my GOAT comic book artists. Everything about his work is perfect. Clean, crisp lines, exciting yet easy to follow layouts… I literally have never seen a sloppy or confusing Alan Davis page. He has a style that combines the best aspects of both sliver and modern comic book art. Just the perfect superhero comic artist.

So, for those of you with the big bucks to spend, here’s something for you to pick up and display on your wall (in a nice frame, obviously) with pride:

And for the rest of us, well, we can just make do with posters.

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